Експериментална музика

Експериментална музика је општа ознака за сваку музику која помера постојеће границе и жанровске дефиниције. Експериментална композициона пракса је широко дефинисана истраживачким сензибилитетом који се радикално супротставља и доводи у питање институционализоване композиционе, извођачке и естетске конвенције у музици. Елементи експерименталне музике обухватају неодређену музику, у којој композитор уноси елементе случајности или непредвидивости у погледу композиције или њеног извођења. Уметници такође могу приступити хибриду различитих стилова или укључити неортодоксне и јединствене елементе.

Референце

Извори

• Anon. n.d. "Avant-Garde » Modern Composition » Experimental". AllMusic
• Bateman, Shahbeila. n.d. "Biography of Yoko Ono". Website of Hugh McCarney, Communication Department, Western Connecticut University. (Accessed 15 February 2009)
• Blake, Michael. „The Emergence of a South African Experimental Aesthetic”. Proceedings of the 25th Annual Congress of the Musicological Society of Southern Africa. 1999. . Edited by Izak J. Grové. Pretoria: Musicological Society of Southern Africa.
• Boulez, Pierre. Experiment, Ostriches, and Music", in his Orientations: Collected Writings, Превод: Martin Cooper, Cambridge: Harvard University Press, 1986, стр. 174—176, 430—431, ISBN 0-674-64375-5 . Originally published as „Expérience, autriches et musique”. La Nouvelle Revue française. 1 (36). децембар 1955. CS1 одржавање: Формат датума (веза). no. 36 : 1,.
• Burt, Warren (1991). „Australian Experimental Music 1963–1990”. Leonardo Music Journal. 1 (1): 5—10. JSTOR 1513113. doi:10.2307/1513113. . no. 1:5–10.}}
• Cage, John. Silence: Lectures and Writings. Middletown, Connecticut: Wesleyan University Press. 1961. стр. 13–17. ISBN 99911-780-1-5. . Unaltered reprints: Weslyan University press, 1966 (pbk), 1967 (cloth), 1973 (pbk ["First Wesleyan paperback edition"], 1975 (unknown binding); Cambridge, Massachusetts: MIT Press, 1966, 1967, 1969, 1970, 1971; London: Calder & Boyars, 1968, 1971, 1973 ISBN 0-7145-0526-9 (cloth) ISBN 0-7145-1043-2 (pbk). London: Marion Boyars, 1986, 1999 ISBN 0-7145-1043-2 (pbk); [n.p.]: Reprint Services Corporation, 1988 (cloth) [In particular the essays "Experimental Music", стр. 7–12, and "Experimental Music: Doctrine", .]
• Cope, David (1997). Techniques of the Contemporary Composer. New York: Schirmer Books. ISBN 0-02-864737-8. . .
• Hiller, Lejaren, and L. M. Isaacson. Experimental Music: Composition with an Electronic Computer. New York: McGraw-Hill. 1959. .
• Jaffe, Lee David (1983). „The Last Days of the Avant Garde; or How to Tell Your Glass from Your Eno”. Drexel Library Quarterly. 19: 105—122. . no. 1 (Winter):.
• Lubet, Alex. „Indeterminate Origins: A Cultural theory of American Experimental Music”. Perspectives on American music since 1950. New York: General Music Publishing Co. 1999. ISBN 0-8153-2144-9. . Edited by James R. Heintze.
• Mauceri, Frank X. (1997). „From Experimental Music to Musical Experiment”. Perspectives of New Music. 35 (1): 187—204. JSTOR 833684. doi:10.2307/833684. . no. 1 (Winter):.}}
• Metzger, Heinz-Klaus. 1959. "Abortive Concepts in the Theory and Criticism of Music", translated by Leo Black. Die Reihe 5: "Reports, Analysis" (English edition): 21–29).
• Meyer, Leonard B (1994). Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture. Chicago: University of Chicago Press. ISBN 0-226-52143-5. . Second edition. .
• Nicholls, David (1990). American Experimental Music, 1890–1940. New York: Cambridge University Press. ISBN 0-521-34578-2. . .
• Nicholls, David. „Avant-garde and Experimental Music”. Cambridge History of American Music. Cambridge and New York: Cambridge University Press. 1998. ISBN 0-521-45429-8. . .
• Nyman, Michael. Experimental Music: Cage and Beyond. New York: Schirmer Books. 1974. ISBN 0-521-65297-9.  . London: Studio Vista ISBN 0-289-70182-1. . Second edition, Cambridge and New York: , 1999. .
• Palombini, Carlos (1993a). „Machine Songs V: Pierre Schaeffer: From Research into Noises to Experimental Music”. Computer Music Journal. 17 (3): 14—19. JSTOR 3680939. doi:10.2307/3680939. . No. 3 (Autumn):.}}
• Palombini, Carlos. 1993b. Palombini, Carlos (1993). „Pierre Schaeffer, 1953: Towards an Experimental Music”. Music & Letters. 74 (4): 542—557. doi:10.1093/ml/74.4.542. Архивирано из оригинала 23. 04. 2009. г..  74, no. 4 (November): 542–557.
• Piekut, Benjamin. 2008. "Testing, Testing ...: New York Experimentalism 1964". Ph.D. diss. New York: Columbia University.
• Rebner, Wolfgang Edward. „Amerikanische Experimentalmusik”. Im Zenit der Moderne: Geschichte und Dokumentation in vier Bänden—Die Internationalen Ferienkurse für Neue Musik Darmstadt, 1946–1966. 1997. . Rombach Wissenschaften: Reihe Musicae 2, 4 vols., edited by Gianmario Borio and Hermann Danuser, 3:178–189. Freiburg im Breisgau: Rombach.
• Schaeffer, Pierre. „Vers une musique experimentale”. La Revue musicale. 1957. стр. 18—23.  no. 236 (Vers une musique experimentale), edited by Pierre Schaeffer,. Paris: Richard-Masse.
• Sun, Cecilia. 2013. „Experimental Music”. The Grove Dictionary of American Music. Oxford University Press. 2013. . second edition, edited by Charles Hiroshi Garrett. New York: .
• Vignal, Marc (ed.). „Expérimentale (musique)”. Dictionnaire de la musique. Paris: Larousse. 2003. ISBN 2-03-511354-7. . .

Литература

• Ballantine, Christopher (1977). „Towards an Aesthetic of Experimental Music”. The Musical Quarterly. 63 (2): 224—246. doi:10.1093/mq/LXIII.2.224. . no. 2 (April):.
• Beal, Amy C (2006). New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Berkeley: University of California Press. ISBN 0-520-24755-8. . .
• Benitez, Joaquim M (1978). „Avant-Garde or Experimental? Classifying Contemporary Music”. International Review of the Aesthetics and Sociology of Music. 9 (1): 53—77. JSTOR 836528. doi:10.2307/836528. . no. 1 (June):.
• Broyles, Michael (2004). Mavericks and Other Traditions in American Music. New Haven: Yale University Press. ISBN 978-0-300-10045-7. .
• Cameron, Catherine (1996). Dialectics in the Arts: The Rise of Experimentalism in American Music. Westport, Connecticut: Praeger. ISBN 978-0-275-95610-3. .
• Cox, Christoph. (2004), Audio Culture, Continuum International Publishing Group .
• Crumsho, Michael. 2008. "Dusted Reviews: Neptune—Gong Lake" Архивирано на веб-сајту Wayback Machine (4. март 2016). Dusted Magazine (February 19).
• Modern, Ensemble (1995). „Was ist experimentelles Musiktheater? Mitglieder des 'Ensemble Modern' befragen Hans Zender”. Positionen: Beiträge zur Neuen Musik. 22: 17—20. . (February):.
• Bailey, Derek. 1980. "Musical Improvisation: Its Nature and Practice in Music". Englewood Cliffs, New Jersey: Prentice-Hall; Ashbourne: Moorland. ISBN 0-13-607044-2. Second edition, London: British Library National Sound Archive, 1992. ISBN 0-7123-0506-8
• Experimental Musical Instruments. 1985–1999. A periodical (no longer published) devoted to experimental music and instruments.
• Gligo, Nikša (1989). „Die musikalische Avantgarde als ahistorische Utopie: Die gescheiterten Implikationen der experimentellen Musik”. Acta Musicologica. 61 (2): 217—237. JSTOR 932610. doi:10.2307/932610. . no. 2 (May–August):.
• Grant, Morag Josephine (2003). „Experimental Music Semiotics”. International Review of the Aesthetics and Sociology of Music. 34: 173—191. . no. 2 (December):.
• Henius, Carla (1977). „Musikalisches Experimentiertheater. Kommentare aus der Praxis”. Melos. /Neue Zeitschrift für Musik 3, no. 6:489–492.
• Henius, Carla (1994). „Experimentelles Musiktheater seit 1946”. Bayerische Akademie der Schönen Künste: Jahrbuch. 8: 131—154. .
• Holmes, Thomas B (2008). Electronic and Experimental Music: Pioneers in Technology and Composition. London and New York: Routledge.. ISBN 978-0-415-95782-3.  . Third edition(hbk.) (pbk.)
• Lucier, Alvin. 2002. "An einem hellen Tag: Avantgarde und Experiment", trans. Gisela Gronemeyer. MusikTexte: Zeitschrift für Neue Musik, стр. 13—14 , no. 92 (February), .
• Lucier, Alvin (2012). Music 109: Notes on Experimental Music. Middletown, Connecticut: Wesleyan University Press. ISBN 978-0-8195-7298-1.  . (cloth); (ebook).
• Masters, Marc (2007). No Wave. London: Black Dog Publishing. ISBN 978-1-906155-02-5. Архивирано из оригинала 14. 01. 2009. г. Приступљено 28. 02. 2022. .}}
• Parkin, Chris (2008). „Micachu: Interview”. Time Out London. Архивирано из оригинала 24. 09. 2012. г. Приступљено 28. 02. 2022.  (February 26).
• Piekut, Benjamin (2011). Experimentalism Otherwise: The New York Avant-Garde and its Limits. Berkeley: University of California Press. ISBN 978-0-520-26851-7. . .
• Saunders, James (2009). The Ashgate Research Companion to Experimental Music. Aldershot, Hampshire, and Burlington, Vermont: Ashgate. ISBN 978-0-7546-6282-2. 
• Schnebel, Dieter (2001). „Experimentelles Musiktheater”. Das Musiktheater: Exempel der Kunst. Vienna: Universal Edition.. стр. 14—24. ISBN 3-7024-0263-2. . Edited by Otto Kolleritsch,
• Shultis, Christopher (1998). Silencing the Sounded Self: John Cage and the American Experimental Tradition. Boston: Northeastern University Press. ISBN 1-55553-377-9. .
• Smith Brindle, Reginald (1987). The New Music: The Avant-Garde Since 1945. Oxford and New York: Oxford University Press. ISBN 0-19-315468-4.  . second edition. (cloth) (pbk.)
• Sutherland, Roger (1994). New Perspectives in Music. London: Sun Tavern Fields. ISBN 0-9517012-6-6. 

Спољашње везе

• Experimental music на веб-сајту Curlie (језик: енглески)