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== Books and studies == |
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[[Лажа и Паралажа (филм из 1959)|Лажа и Паралажа]] |
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* ''The Magical Screen'' (Чаробни екран, 1962) |
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* ''Shakespeare in Film'' (Шекспир на филму, 1963) |
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* ''Introduction to Film'' (Увођење у филм, 1968) |
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* ''The Development of Film Genres'' (Развој филмских врста и жанрова, 1969) |
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* ''Television – The Eighth Force'' (Телевизија – осма сила, 1970) |
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* ''Griffith’s Masterpiece: A Corner in Wheat'' (1976) |
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* ''Film and Dreams: An Approach to Bergman'' (1981) |
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* ''Constructivism in Film: The Man With the Movie Camera'' (1987) |
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* ''Dreyer’s Concept of Cinematic Abstraction'' (1975) |
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* ''Film Scholarship and Impressionistic Film Criticism'' (1976) |
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* ''The Vorkapich Effect'' (1978) |
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* ''Dziga Vertov as Theorist'' (1979) |
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* ''Bergman and Dreams'' (1981) |
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* ''The Avenging Conscience: An Early Dream Film'' (1972) |
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* ''How Bergman Conveys Nightmares in a Cinematic Way'' (1973) |
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* ''A Page of Madness: A Structural Analysis of the Japanese Film'' (1984) |
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* ''Tarkovsky’s Oneiric Visions'' (1990), ''Ideology and Cinema'' (1995) |
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* ''Function of Form in Fellini’s Eight and a Half'' (1996) |
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* ''Memories of a Movie Monk'' (1999) |
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Тренутна верзија на датум 30. октобар 2020. у 21:27
Books and studies[уреди | уреди извор]
- The Magical Screen (Чаробни екран, 1962)
- Shakespeare in Film (Шекспир на филму, 1963)
- Introduction to Film (Увођење у филм, 1968)
- The Development of Film Genres (Развој филмских врста и жанрова, 1969)
- Television – The Eighth Force (Телевизија – осма сила, 1970)
- Griffith’s Masterpiece: A Corner in Wheat (1976)
- Film and Dreams: An Approach to Bergman (1981)
- Constructivism in Film: The Man With the Movie Camera (1987)
- Dreyer’s Concept of Cinematic Abstraction (1975)
- Film Scholarship and Impressionistic Film Criticism (1976)
- The Vorkapich Effect (1978)
- Dziga Vertov as Theorist (1979)
- Bergman and Dreams (1981)
- The Avenging Conscience: An Early Dream Film (1972)
- How Bergman Conveys Nightmares in a Cinematic Way (1973)
- A Page of Madness: A Structural Analysis of the Japanese Film (1984)
- Tarkovsky’s Oneiric Visions (1990), Ideology and Cinema (1995)
- Function of Form in Fellini’s Eight and a Half (1996)
- Memories of a Movie Monk (1999)