1927: acquired by François Arp from Theo van Doesburg (1883-1931), Klamar (?)

1927: acquired by Dr. Roth, Strasbourg (?)

Salon des Réalistes Nouvelles, Renaissance plastique. 1re exposition (2me série). Oeuvres des artistes étrangers, Galerie Charpentier, Paris, 30. jun 1939.–15. jul 1939..

Masters of abstract art. An exhibition for the benefit of the American Red Cross, Helena Rubinstein's New Art Center, Njujork, 1. april 1942.–15. maj 1942., kat. no.  15, as 1928.

Theo van Doesburg, Retrospective exhibition, Art of this Century Gallery, Njujork, 29. april 1947.–31. maj 1947., kat. no.  29.

La Collezione Peggy Guggenheim, XXIV Biennale, Venecija, jun 1948., kat. no.  31, as 1928.

La Collezione Guggenheim, Palazzo Strozzi, Firenca, 19. februar 1949.–10. mart 1949., Palazzo Reale, Milano, jun 1949., kat. no.  31, as 1928.

Surréalisme + abstraction. Choix de la collection Peggy Guggenheim/Surrealisme + abstractie. Keuze uit de verzameling Peggy Guggenheim, Stedelijk Museum, Amsterdam, 19. januar 1951.–26. februar 1951., Palais der beaux-arts, Brisel, ?–?, kat. no.  39.

Moderne Kunst aus der Sammlung Peggy Guggenheim, Kunsthaus, Cirih, april 1951.–maj 1951., kat. no.  35.

The Peggy Guggenheim Collection, Tate Gallery, London, 31. decembar 1964.–7. mart 1965., kat. no.  34.

Peggy Guggenheims samling från Venedig, Moderna museet, Stokholm, 26. novembar 1966.–8. januar 1967., kat. no.  35, p. 24.

Theo van Doesburg, Van Abbemuseum, Ajndhoven, 13. decembar 1968.–26. januar 1969., Gemeentemuseum Den Haag, Hag, 17. februar 1969.–23. mart 1969., kat. no.  A35.

Theo van Doesburg 1883-1931/Konstruktive Kunst, Kunsthalle Nürnberg, Nürnberg, 18. april 1969.–1. jun 1969., Kunsthalle Basel, Bazel, 9. avgust 1969.–7. septembar 1969., kat. no.  A30.

Art du XXe siècle. Fondation Peggy Guggenheim, Venise, Orangerie des Tuileries, Paris, 30. novembar 1974.–3. mart 1975., kat. no.  31.

La collezione Peggy Guggenheim, Venezia. Arte del XX secolo, Galleria d'arte moderna, Torino, 3. decembar 1975.–29. februar 1976., kat. no.  41.

60 works. The Peggy Guggenheim Collection, The Salomon R. Guggenheim Museum, Njujork, 18. novembar 1982.–13. mart 1983., kat. no.  19, p. 25, with color image.

Mondrian e De Stijl. L'ideale moderno, Fondazione Giorgio Cini, Venecija, 19. maj 1990.–2. septembar 1990., kat. no.  70, p. 200.

From Van Gogh to Picasso, from Kandinsky to Pollock. Masterpieces of modern art, Palazzo Grassi, Venecija, 9. septembar 1990.–9. decembar 1990., kat. no.  60, p. 240, with image.

Obras maestras de la collección Guggenheim. De Picasso a Pollock, Museo Nacional Centro de Arte Reina Sofia, Madrid, 17. januar 1991.–13. maj 1991., kat. no.  64, with color image.

Potpis i datum :

Potpis verso:

In stenciled letters

Naslov i datum verso on the canvas stretcher:

In stenciled letters

AnonymousUnknown author, Peggy Guggenheim Collection, as Counter-Composition XIII (Contra-Compositie XIII), 1925-1926, 49,9 × 50 cm.

AnonymousUnknown author, RKDimages, Art-work number 215686, as Contra-composition XIII, 1926, 50 × 50 cm

Gladys Fabre i Doris Wintgens Hötte (ed.; 2009) Van Doesburg & the international avant-garde. Constructing a new world, [London]: Tate Publishing, ISBN 978-1-85437-872-9, p. 59, 259, as Counter-Composition XIII, 1925-1926, 50 × 50 cm, with color image (ill. 52) on p. 64.