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Poetika je teorija strukture, forme i diskursa^[4]^[5] unutar književnosti,^[6] i, posebno, unutar poezije.^[7]

Istorija

The term poetics derives from the Ancient Greek ποιητικός poietikos "pertaining to poetry"; also "creative" and "productive".^[8] In the Western world, the development and evolution of poetics featured three artistic movements concerned with poetical composition: (i) the formalist, (2) the objectivist, and (iii) the Aristotelian. (see the Poetics).^[9] Aristotle's Poetics is the first extant philosophical treatise to focus on literary theory.

The work was lost to the Western world for a long time. It was available in the Middle Ages and early Renaissance only through a Latin translation of an Arabic commentary written by Averroes and translated by Hermannus Alemannus in 1256. The accurate Greek-Latin translation made by William of Moerbeke in 1278 was virtually ignored. The Arabic translation departed widely in vocabulary from the original Poetics and it initiated a misinterpretation of Aristotelian thought that continued through the Middle Ages. Modern poetics developed in Renaissance Italy. The need to interpret ancient literary texts in the light of Christianity, to appraise and assess the narratives of Dante, Petrarch, and Boccaccio, contributed to the development of complex discourses on literary theory. Thanks first of all to Giovanni Boccaccio's Genealogia Deorum Gentilium (1360), the literate elite gained a rich understanding of metaphorical and figurative tropes. Giorgio Valla's 1498 Latin translation of Aristotle's text (the first to be published) was included with the 1508 Aldine printing of the Greek original as part of an anthology of Rhetores graeci. There followed an ever-expanding corpus of texts on poetics in the later fifteenth century and throughout the sixteenth, a phenomenon that began in Italy and spread to Spain, England, and France. Among the most important Renaissance works on poetics are Marco Girolamo Vida's De arte poetica (1527) and Gian Giorgio Trissino's La Poetica (1529, expanded edition 1563). By the early decades of the sixteenth century, vernacular versions of Aristotle's Poetics appeared, culminating in Lodovico Castelvetro's Italian editions of 1570 and 1576. Luis de Góngora (1561–1627) and Baltasar Gracián (1601–58) brought a different kind of sophistication to poetic. Emanuele Tesauro wrote extensively in his Il Cannocchiale Aristotelico (The Aristotelian Spyglass, 1654), on figure ingeniose and figure metaforiche.^[10] During the Romantic era, poetics tended toward expressionism and emphasized the perceiving subject. Twentieth-century poetics returned to the Aristotelian paradigm, followed by trends toward meta-criticality, and the establishment of a contemporary theory of poetics.^[11] Eastern poetics developed lyric poetry, rather than the representational mimetic poetry of the Western world.^[9]

Književna kritika

Poetika se od hermeneutike^[12]^[13]^[14]^[15] razlikuje po tome što se fokusira ne na značenje teksta, već radije na razumevanju kako se različiti elementi teksta spajaju i proizvode određene efekte na čitaoca.^[16] Većina književnih kritika kombinuje poetiku i hermeneutiku u jednoj analizi; međutim, jedno ili drugo može preovladavati s obzirom na tekst i ciljeve onoga koji čita.

Vidi još

Reference

^ Aristotelis Opera. XI. Превод: Bekker, August Immanuel. 1837.
^ Dukore, Bernard F. (1974). Dramatic Theory and Criticism: Greeks to Grotowski. Florence, Ky.: Heinle & Heinle. стр. 31. ISBN 0-03-091152-4.
^ Aristotle (1987). Aristotle: Poetics, with Tractatus Coislinianus, reconstruction of Poetics II, and the Fragments of the On the Poets. Превод: Janko, Richard. London: Hackett.
^ Foucault, Michel (1972) [1969]. Archaeology of Knowledge. New York: Pantheon Books. ISBN 978-0-415-28752-4.
^ Norton, Bonny (1997). „Language, identity, and the ownership of English”. TESOL Quarterly. 31 (3): 409—429. JSTOR 3587831. doi:10.2307/3587831.
^ Gérard Genette (2005), Essays In Aesthetics, Volume 4, p.14:
My program then was named "Theory of Literary Forms" — a title that I supposed to be less ambiguous for minds a little distant from this specialty, if it is one, than its (for me) synonym Poetics.
^ „poetics”. Dictionary.com Unabridged. Random House.
^ "poetic". Online Etymology Dictionary.
^ ^а ^б Brogan, T. (1994). The New Princeton Handbook of Poetic Terms. Princeton: Princeton University Press. ISBN 978-0-691-03672-4.
^ Benassi, A., “Lo scherzevole inganno. Figure ingegnose e argutezza nel Cannocchiale aristotelico di Emanuele Tesauro”, Studi secenteschi 47 (2006) 9–55.
^ Preminger, Alex (2016). Princeton Encyclopaedia of Poetry and Poetics (на језику: енглески). Macmillan International Higher Education. стр. 952. ISBN 978-1-349-15617-7.
^ Company, Houghton Mifflin Harcourt Publishing. „The American Heritage Dictionary entry: hermeneutics”. www.ahdictionary.com.
^ „Definition of HERMENEUTICS”. www.merriam-webster.com. децембар 2023.
^ Audi, Robert (1999). The Cambridge Dictionary of Philosophy (2nd изд.). Cambridge: Cambridge University Press. стр. 377. ISBN 978-0521637220.
^ Reese, William L. (1980). Dictionary of Philosophy and Religion. Sussex: Harvester Press. стр. 221. ISBN 978-0855271473.
^ Culler, Jonathan (1997). Literary Theory: A Very Short Introduction.

Literatura

Olson, Charles (1950). Projective Verse. New York, NY: Poetry New York.
Harmon, William (2003). Classic Writings on Poetry. New York: Columbia University Press.
Hobsbaum, Philip (1996). Metre, Rhythm, and Verse Form. New York: Routledge. ISBN 0-415-12267-8.
Kinzie, Mary (1999). A Poet's Guide to Poetry. Chicago: University of Chicago Press. ISBN 0-226-43739-6.
Norman, Charles (1962). Poets on Poetry. New York: Collier Books. Original texts from 8 English poets before the 20th Century and from 8 20th Century Americans.
Oliver, Mary (1994). A Poetry Handbook. New York: Harcourt Brace & Co. ISBN 0-15-672400-6.
Oliver, Mary (1998). Rules for the Dance. Boston: Houghton Mifflin. ISBN 0-395-85086-X.
Pinsky, Robert (1999). The Sounds of Poetry. New York: Farrar, Straus and Giroux. ISBN 0-374-52617-6.
Quinn, Arthur (1993). Figures of Speech. Hillsdale: Lawrence Erlbaum Associates. ISBN 1-880393-02-6.
Frow, John (2007). Genre (Reprint изд.). Routledge. стр. 57—59. ISBN 978-0-415-28063-1.
Grendler, Paul F (2004). The Universities of the Italian Renaissance. Johns Hopkins University Press. стр. 239. ISBN 978-0-8018-8055-1.
Heath, Malcolm, ур. (1997). Aristotle's Poetics. Penguin Books. ISBN 978-0-14-044636-4.
Habib, Rafey (2005). A history of literary criticism. John Wiley & Sons. стр. 607-609, 620. ISBN 9780631232001.
Abondolo, Daniel (2001). A poetics handbook: verbal art in the European tradition. Curzon. стр. 52-53. ISBN 9780700712236.
Ebrey, Patricia (1993). Chinese Civilisation: A Sourcebook (2nd изд.). The Free Press. стр. 11-13. ISBN 978-0-02-908752-7.
Ahl, Frederick; Roisman, Hannah M. (1996). The Odyssey Re-Formed. Cornell University Press. стр. 1—26. ISBN 978-0-8014-8335-6.
Goody, Jack (1987). The Interface Between the Written and the Oral. Cambridge University Press. стр. 98. ISBN 978-0-521-33794-6.
Sanders, NK (1972). The Epic of Gilgamesh (Revised изд.). Penguin Books. стр. 7—8.
Schmidt, Michael, ур. (1999). The Harvill Book of Twentieth-Century Poetry in English. Harvill Press. стр. xxvii—xxxiii. ISBN 978-1-86046-735-6.
Eliot, T. S. (1999). „The Function of Criticism”. Selected Essays. Faber & Faber. стр. 13—34. ISBN 978-0-15-180387-3.
Longenbach, James (1997). Modern Poetry After Modernism. Oxford University Press. стр. 9,103. ISBN 978-0-19-510178-2.
Strachan, John R.; Terry, Richard G. (2000). Poetry: an introduction. Edinburgh University Press. стр. 119. ISBN 978-0-8147-9797-6.
Stinger, C (1998) [1985 (hardback)]. The Renaissance in Rome. Bloomington, IN: Indiana Bloomington Press. ISBN 978-0-253-33491-6.
Paoletti, J; Radke, G (2005) [1997]. Art in Renaissance Italy. London: Laurence King Publishing. ISBN 978-1-85669-439-1.
Adams, Stephen J. (1997). Poetic designs: an introduction to meters, verse forms and figures of speech. Broadview. ISBN 978-1-55111-129-2.
Brooks, Cleanth (1947). The Well Wrought Urn: Studies in the Structure of Poetry. Harcourt Brace & Company.
Corn, Alfred (1997). The Poem's Heartbeat: A Manual of Prosody. Storyline Press. ISBN 978-1-885266-40-8.
Fussell, Paul (1965). Poetic Meter and Poetic Form. Random House.
Finch, Annie (2011). A Poet's Ear: A Handbook of Meter and Form. University of Michigan Press. ISBN 978-0-472-05066-6.
Fry, Stephen (2007). The Ode Less Travelled: Unlocking the Poet Within. Arrow Books. ISBN 978-0-09-950934-9.
Hollander, John (1981). Rhyme's Reason. Yale University Press. ISBN 978-0-300-02740-2.
Pound, Ezra (1951). ABC of Reading. Faber.
Preminger, Alex; Brogan, Terry VF; Warnke, Frank J. (ур.). The New Princeton Encyclopedia of Poetry and Poetics (3rd изд.). Princeton University Press. ISBN 978-0-691-02123-2.
Tatarkiewicz, Władysław, "The Concept of Poetry", translated by Christopher Kasparek, Dialectics and Humanism: The Polish Philosophical Quarterly, vol. II, no. 2 (spring 1975), published in Warsaw under the auspices of the Polish Academy of Sciences by Polish Scientific Publishers. pp. 13–24.
Isobel Armstrong, Joseph Bristow, and Cath Sharrock (1996) Nineteenth-Century Women Poets. An Oxford Anthology
Ferguson, Margaret; Salter, Mary Jo; Stallworthy, Jon, ур. (1996). The Norton Anthology of Poetry (4th изд.). W. W. Norton & Co. ISBN 978-0-393-96820-0.
Gardner, Helen, ур. (1972). New Oxford Book of English Verse 1250–1950. Oxford University Press. ISBN 978-0-19-812136-7.
Larkin, Philip, ур. (1973). The Oxford Book of Twentieth Century English Verse. Oxford University Press.
Lonsdale, Roger, ур. (1990). Eighteenth Century Women Poets by Roger Lonsdale. Oxford University Press.
Mosley, Ivo, ур. (1994). The Green Book of Poetry. Frontier Publishing. ISBN 978-1872914060.
Mosley, Ivo, ур. (1996). Earth Poems: Poems from Around the World to Honor The Earth. Harpercollins. ISBN 978-0062512833.
Ricks, Christopher, ур. (1999). The Oxford Book of English Verse. Oxford University Press. ISBN 978-0-19-214182-8.
Yeats, WB, ур. (1936). Oxford Book of Modern Verse 1892–1935. Oxford University Press.
Ciardi, John (1959). How Does a Poem Mean?. Cambridge, MA: The Riverside Press.
Drew, Elizabeth (1933). Discovering Poetry. New York: W.W. Norton & Company.
Hashmi, Alamgir (2011). „Eponymous Écriture and the Poetics of Reading a Transnational Epic”. Dublin Quarterly, 15.
Bloom, Harold (2006). Bloom's Modern Critical Views: Contemporary Poets. Bloom's Literary Criticism, Infobase Publishing.
Iturat, Isidro (2010). Poetics. Brazil: Indrisos.com. Архивирано из оригинала 07. 11. 2014. г. Приступљено 16. 11. 2018.
Belfiore, Elizabeth, S., Tragic Pleasures: Aristotle on Plot and Emotion. Princeton, N.J.: Princeton UP (1992). ISBN 0-691-06899-2
Bremer, J.M., Hamartia: Tragic Error in the Poetics of Aristotle and the Greek Tragedy, Amsterdam 1969
Butcher, Samuel H., Aristotle's Theory of Poetry and Fine Art, New York ⁴1911
Carroll, M., Aristotle's Poetics, c. xxv, Ιn the Light of the Homeric Scholia, Baltimore 1895
Cave, Terence, Recognitions. A Study in Poetics, Oxford 1988
Carlson, Marvin, Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present. Expanded ed. Ithaca and London: Cornell UP (1993). ISBN 978-0-8014-8154-3.
Destrée, Pierre, "Aristotle on the Power of Music in Tragedy," Greek & Roman Musical Studies, Vol. 4, Issue 2, 2016
Dukore, Bernard F., Dramatic Theory and Criticism: Greeks to Grotowski. Florence, KY: Heinle & Heinle (1974). ISBN 0-03-091152-4
Downing, E., "oἷον ψυχή: Αn Εssay on Aristotle's muthos", Classical Antiquity 3 (1984) 164-78
Else, Gerald F., Plato and Aristotle on Poetry, Chapel Hill/London 1986
Fendt, Gene (2019). „Aristotle on Dramatic Musical Composition. By Gregory Scott (Review)”. Ancient Philosophy. Philosophy Documentation Center. 39 (1): 248—252. ISSN 0740-2007. S2CID 171990673. doi:10.5840/ancientphil201939117.
Heath, Malcolm (1989). „Aristotelian Comedy”. Classical Quarterly. 39 (1989): 344—354. doi:10.1017/S0009838800037411.
Heath, Malcolm (1991). „The Universality of Poetry in Aristotle's Poetics”. Classical Quarterly. 41 (1991): 389—402. doi:10.1017/S0009838800004559.
Heath, Malcolm (2009). „Cognition in Aristotle's Poetics”. Mnemosyne. 62 (2009): 51—75. doi:10.1163/156852508X252876.
Halliwell, Stephen, Aristotle's Poetics, Chapel Hill 1986.
Halliwell, Stephen, The Aesthetics of Mimesis. Ancient Texts and Modern Problems, Princeton/Oxford 2002.
Hardison, O. B., Jr., "Averroes", in Medieval Literary Criticism: Translations and Interpretations. New York: Ungar (1987), 81–88.
Hiltunen, Ari, Aristotle in Hollywood. Intellect (2001). ISBN 1-84150-060-7.
Ηöffe, O. (ed.), Aristoteles: Poetik, (Klassiker auslegen, Band 38) Berlin 2009
Janko, R., Aristotle on Comedy, London 1984
Jones, John, On Aristotle and Greek Tragedy, London 1971
Lanza, D. (ed.), La poetica di Aristotele e la sua storia, Pisa 2002
Leonhardt, J., Phalloslied und Dithyrambos. Aristoteles über den Ursprung des griechischen Dramas. Heidelberg 1991
Lienhard, K., Entstehung und Geschichte von Aristoteles 'Poetik', Zürich 1950
Lord, C., "Aristotle's History of Poetry", Transactions and Proceedings of the American Philological Association 104 (1974) 195–228
Lucas, F. L., Tragedy: Serious Drama in Relation to Aristotle's "Poetics". London: Hogarth (1957). New York: Collier. ISBN 0-389-20141-3. London: Chatto. ISBN 0-7011-1635-8
Luserke, M. (ed.), Die aristotelische Katharsis. Dokumente ihrer Deutung im 19. und 20. Jahrhundert, Hildesheim/Zürich/N. York 1991
Morpurgo- Tagliabue, G., Linguistica e stilistica di Aristotele, Rome 1967
Rorty, Amélie Oksenberg (ed.), Essays on Aristotle's Poetics, Princeton 1992
Schütrumpf, E., "Traditional Elements in the Concept of Hamartia in Aristotle's Poetics", Harvard Studies in Classical Philology 92 (1989) 137–56
Scott, Gregory L., Aristotle on Dramatic Musical Composition The Real Role of Literature, Catharsis, Music and Dance in the Poetics (2018), ISBN 978-0999704936
Sen, R. K., Mimesis, Calcutta: Syamaprasad College, 2001
Sen, R. K., Aesthetic Enjoyment: Its Background in Philosophy and Medicine, Calcutta: University of Calcutta, 1966
Sifakis, Gr. M., Aristotle on the Function of Tragic Poetry, Heraklion 2001. ISBN 960-524-132-3
Söffing, W., Deskriptive und normative Bestimmungen in der Poetik des Aristoteles, Amsterdam 1981
Sörbom, G., Mimesis and Art, Uppsala 1966
Solmsen, F., "The Origins and Methods of Aristotle's Poetics", Classical Quarterly 29 (1935) 192–201
Tsitsiridis, S., "Mimesis and Understanding. An Interpretation of Aristotle's Poetics 4.1448^b4-19", Classical Quarterly 55 (2005) 435–46
Vahlen, Johannes, Beiträge zu Aristoteles' Poetik, Leipzig/Berlin 1914
Vöhler, M. – Seidensticker B. (edd.), Katharsiskonzeptionen vor Aristoteles: zum kulturellen Hintergrund des Tragödiensatzes, Berlin 2007

Spoljašnje veze

librivox.org audio recording
Project Gutenberg – Poetics (Aristotle)
Aristotle's Poetics: Perseus Digital Library edition
Greek text from Hodoi elektronikai
Critical edition (Oxford Classical Texts) by Ingram Bywater
Seven parallel translations of Poetics: Russian, English, French
Aristotle: Poetics entry by Joe Sachs in the Internet Encyclopedia of Philosophy
Notes of Friedrich Sylburg (1536-1596) in a critical edition (parallel Greek and Latin) available at Google Books
Analysis and discussion in the BBC's In Our Time series on Radio 4.

[1] Aristotelis Opera. XI. Превод: Bekker, August Immanuel. 1837.

[dukore-2] Dukore, Bernard F. (1974). Dramatic Theory and Criticism: Greeks to Grotowski. Florence, Ky.: Heinle & Heinle. стр. 31. ISBN 0-03-091152-4.

[Janko87-3] Aristotle (1987). Aristotle: Poetics, with Tractatus Coislinianus, reconstruction of Poetics II, and the Fragments of the On the Poets. Превод: Janko, Richard. London: Hackett.

[4] Foucault, Michel (1972) [1969]. Archaeology of Knowledge. New York: Pantheon Books. ISBN 978-0-415-28752-4.

[5] Norton, Bonny (1997). „Language, identity, and the ownership of English”. TESOL Quarterly. 31 (3): 409—429. JSTOR 3587831. doi:10.2307/3587831.

[6] Gérard Genette (2005), Essays In Aesthetics, Volume 4, p.14:
My program then was named "Theory of Literary Forms" — a title that I supposed to be less ambiguous for minds a little distant from this specialty, if it is one, than its (for me) synonym Poetics.

[7] „poetics”. Dictionary.com Unabridged. Random House.

[8] "poetic". Online Etymology Dictionary.

[Brogan-9] а ^б Brogan, T. (1994). The New Princeton Handbook of Poetic Terms. Princeton: Princeton University Press. ISBN 978-0-691-03672-4.

[10] Benassi, A., “Lo scherzevole inganno. Figure ingegnose e argutezza nel Cannocchiale aristotelico di Emanuele Tesauro”, Studi secenteschi 47 (2006) 9–55.

[Preminger2016-11] Preminger, Alex (2016). Princeton Encyclopaedia of Poetry and Poetics (на језику: енглески). Macmillan International Higher Education. стр. 952. ISBN 978-1-349-15617-7.

[ahd-12] Company, Houghton Mifflin Harcourt Publishing. „The American Heritage Dictionary entry: hermeneutics”. www.ahdictionary.com.

[mw-13] „Definition of HERMENEUTICS”. www.merriam-webster.com. децембар 2023.

[14] Audi, Robert (1999). The Cambridge Dictionary of Philosophy (2nd изд.). Cambridge: Cambridge University Press. стр. 377. ISBN 978-0521637220.

[15] Reese, William L. (1980). Dictionary of Philosophy and Religion. Sussex: Harvester Press. стр. 221. ISBN 978-0855271473.

[16] Culler, Jonathan (1997). Literary Theory: A Very Short Introduction.

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@@ Ред 1: / Ред 1: @@
+{{short description|Teorija književnih oblika i diskursa}}
-#Преусмери [[Поезија]]
+<!--{{Latinize|{{about|teoriji književnih oblika i diskursa|Aristotelovu raspravu|Poetika (Aristotel)}}}}-->
+[[File:Leonardo bruni, traduzione della poetica di aristotele, firenze 1471 (bml, pluteo 79.24) 01.jpg|thumb|Prevod Aristotelove ''Poetike''<ref>{{cite book|url=http://www.isnature.org/Files/Aristotle/|title=Aristotelis Opera|translator-first=August Immanuel|translator-last=Bekker|translator-link=August Immanuel Bekker|date=1837|volume=XI}}</ref><ref name="dukore">{{cite book|last=Dukore|first=Bernard F.|title=Dramatic Theory and Criticism: Greeks to Grotowski|location=Florence, Ky.|publisher=Heinle & Heinle|date=1974|isbn=0-03-091152-4|page=31}}</ref><ref name=Janko87>{{cite book|title=Aristotle: Poetics, with Tractatus Coislinianus, reconstruction of Poetics II, and the Fragments of the On the Poets|author=Aristotle|translator-last=Janko|translator-first=Richard|date=1987|location=London|publisher=Hackett}}</ref> [[Leonardo Bruni|Leonarda Brunija]].]]
+''Poetika'' je teorija strukture, forme i [[discourse|diskursa]]<ref>{{Cite book|author=Foucault|first=Michel|year=1972|title=Archaeology of Knowledge|location=New York|publisher=[[Pantheon Books]]|isbn=978-0-415-28752-4|author-link=M. Foucault|orig-year=1969}}</ref><ref>{{Cite journal|author=Norton|year=1997|title=Language, identity, and the ownership of English|journal=[[TESOL Quarterly]]|volume=31|issue=3|pages=409–429|doi=10.2307/3587831|jstor=3587831|author-link=Bonny Norton|first=Bonny}}</ref> unutar [[literature|književnosti]],<ref>[[Gérard Genette]] (2005), [https://books.google.com/books?id=CWjjasIjWiYC&pg=PA14 ''Essays In Aesthetics, Volume 4''], p.14: {{quotation|My program then was named "Theory of Literary Forms" — a title that I supposed to be less ambiguous for minds a little distant from this specialty, if it is one, than its (for me) synonym Poetics.}}</ref> i, posebno, unutar [[poetry|poezije]].<ref>{{Cite Dictionary.com|poetics}}</ref>
+== Istorija==
+{{rut}}
+The term ''poetics'' derives from the [[Ancient Greek]] ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" and "productive".<ref>[http://www.etymonline.com/index.php?term=poetic "poetic"]. ''[[Online Etymology Dictionary]]''.</ref> In the Western world, the development and evolution of poetics featured three artistic movements concerned with poetical composition: (i) the [[Formalism (literature)|formalist]], (2) the [[Metaphysical objectivism|objectivist]], and (iii) the [[Aristotelianism|Aristotelian]]. (see the ''[[Poetics (Aristotle)|Poetics]]'').<ref name="Brogan">{{cite book | last = Brogan | first = T. | title = The New Princeton Handbook of Poetic Terms | publisher = Princeton University Press | location = Princeton | year = 1994 | isbn = 978-0-691-03672-4 }}</ref> Aristotle's ''Poetics'' is the first extant philosophical treatise to focus on literary theory. [[File:Poetique Aristote Arabe 2346.jpg|thumb|Arabic translation of Aristotle's Poetics by [[Abu Bishr Matta ibn Yunus]]]] The work was lost to the Western world for a long time. It was available in the [[Middle Ages]] and early Renaissance only through a Latin translation of an [[Arabic]] commentary written by [[Averroes]] and translated by [[Hermannus Alemannus]] in 1256. The accurate [[Ancient Greek|Greek]]-[[Latin]] translation made by [[William of Moerbeke]] in 1278 was virtually ignored. The Arabic translation departed widely in vocabulary from the original ''Poetics'' and it initiated a misinterpretation of Aristotelian thought that continued through the Middle Ages. Modern poetics developed in [[Italian Renaissance|Renaissance Italy]]. The need to interpret ancient literary texts in the light of [[Christianity]], to appraise and assess the narratives of [[Dante Alighieri|Dante]], [[Petrarch]], and [[Giovanni Boccaccio|Boccaccio]], contributed to the development of complex discourses on [[literary theory]]. Thanks first of all to Giovanni Boccaccio's ''[[Genealogia Deorum Gentilium]]'' (1360), the literate elite gained a rich understanding of [[Metaphor|metaphorical]] and figurative [[Trope (literature)|tropes]]. [[Giorgio Valla]]'s 1498 Latin translation of Aristotle's text (the first to be published) was included with the 1508 [[Aldine Press|Aldine]] printing of the Greek original as part of an [[anthology]] of ''Rhetores graeci''. There followed an ever-expanding corpus of texts on poetics in the later fifteenth century and throughout the sixteenth, a phenomenon that began in [[Italy]] and spread to [[Spain]], [[England]], and [[France]]. Among the most important Renaissance works on poetics are [[Marco Girolamo Vida]]'s ''De arte poetica'' (1527) and [[Gian Giorgio Trissino]]'s ''La Poetica'' (1529, expanded edition 1563). By the early decades of the sixteenth century, vernacular versions of Aristotle's ''Poetics'' appeared, culminating in [[Lodovico Castelvetro]]'s Italian editions of 1570 and 1576. [[Luis de Góngora]] (1561–1627) and [[Baltasar Gracián]] (1601–58) brought a different kind of sophistication to poetic. [[Emanuele Tesauro]] wrote extensively in his ''Il Cannocchiale Aristotelico'' (The Aristotelian Spyglass, 1654), on ''figure ingeniose'' and ''figure metaforiche''.<ref>Benassi, A., “Lo scherzevole inganno. Figure ingegnose e argutezza nel Cannocchiale aristotelico di Emanuele Tesauro”, ''Studi secenteschi'' 47 (2006) 9–55.</ref> During the [[Romanticism|Romantic era]], poetics tended toward [[expressionism]] and emphasized the perceiving [[subject (philosophy)|subject]]. Twentieth-century poetics returned to the Aristotelian paradigm, followed by trends toward meta-criticality, and the establishment of a contemporary theory of poetics.<ref name="Preminger2016">{{cite book |last1=Preminger |first1=Alex |title=Princeton Encyclopaedia of Poetry and Poetics |date=2016 |publisher=Macmillan International Higher Education |isbn=978-1-349-15617-7 |page=952 |url=https://books.google.com/books?id=ID1dDwAAQBAJ&q=metacritical&pg=PA952 |language=en}}</ref> Eastern poetics developed [[lyric poetry]], rather than the representational [[mimesis|mimetic poetry]] of the Western world.<ref name="Brogan" />
+== Književna kritika ==
+Poetika se od [[hermeneutics|hermeneutike]]<ref name="ahd">{{Cite web|url=https://www.ahdictionary.com/word/search.html?q=hermeneutics|title=The American Heritage Dictionary entry: hermeneutics|first=Houghton Mifflin Harcourt Publishing|last=Company|website=www.ahdictionary.com}}</ref><ref name="mw">{{Cite web|url=https://www.merriam-webster.com/dictionary/hermeneutics|title=Definition of HERMENEUTICS|website=www.merriam-webster.com|date=December 2023 }}</ref><ref>{{cite book |title=The Cambridge Dictionary of Philosophy |url=https://archive.org/details/cambridgediction00audi |url-access=limited |last= Audi|first=Robert |edition= 2nd |year=1999 |publisher=Cambridge University Press |location=Cambridge |isbn=978-0521637220 |pages=[https://archive.org/details/cambridgediction00audi/page/n409 377]}}</ref><ref>{{cite book |title=Dictionary of Philosophy and Religion|last=Reese |first=William L. |year=1980 |publisher=Harvester Press |location=Sussex |isbn=978-0855271473 |page= 221}}</ref> razlikuje po tome što se fokusira ne na značenje teksta, već radije na razumevanju kako se različiti elementi teksta spajaju i proizvode određene efekte na čitaoca.<ref>{{cite book |last1=Culler |first1=Jonathan |author-link=Jonathan Culler |year=1997 |title=Literary Theory: A Very Short Introduction}}</ref> Većina [[literary criticism|književnih kritika]] kombinuje poetiku i hermeneutiku u jednoj analizi; međutim, jedno ili drugo može preovladavati s obzirom na tekst i ciljeve onoga koji čita.
+== Vidi još ==
+{{div col}}
+*[[List of basic poetry topics|Spisak osnovnih pesničkih tema]]
+*[[Cognitive poetics|Kognitivna poetika]]
+*[[Descriptive poetics|Deskriptivna poetika]]
+*[[Historical poetics|Istorijska poetika]]
+*[[Figure of speech|Stilska figura]]
+*[[Poetry analysis|Analiza poezije]]
+*[[Stylistic device|Stilsko sredstvo]]
+*[[Rhetorical device|Retoričko sredstvo]]
+*[[Meter (poetry)|Metrika (poezija)]]
+*[[Allegory|Alegorija]]
+*[[Allusion|Aluzija]]
+*[[Imagery|Slike]]
+*[[Musical form|Muzička forma]]
+*[[Symbolist poetry|Simbolistička poezija]]
+*[[Sound poetry|Zvučna poezija]]
+*[[Refrain|Refren]]
+*[[Literary theory|Teorija književnosti]]
+*[[History of poetry|Istorija poezije]]
+*[[Poetics and Linguistics Association|Udruženje za poetiku i lingvistiku]]
+*[[Theopoetics|Teopoetika]]
+{{div col end}}
+== Reference ==
+{{reflist|}}
+== Literatura ==
+{{refbegin|30em}}
+* Olson, Charles (1950). ''[https://www.poetryfoundation.org/articles/69406/projective-verse Projective Verse]. New York, NY:'' Poetry New York.
+* {{cite book | last = Harmon | first = William | title = Classic Writings on Poetry | url = https://archive.org/details/classicwritingso00will | url-access = registration | publisher = Columbia University Press | location = New York | year = 2003 }}
+* {{cite book | last = Hobsbaum | first = Philip | title = Metre, Rhythm, and Verse Form | url = https://archive.org/details/metrerhythmverse0000hobs | url-access = registration | publisher = Routledge | location = New York | year = 1996 | isbn = 0-415-12267-8 }}
+* {{cite book | last = Kinzie | first = Mary | title = A Poet's Guide to Poetry | url = https://archive.org/details/poetsguidetopoet0000kinz | url-access = registration | publisher = University of Chicago Press | location = Chicago | year = 1999 | isbn = 0-226-43739-6 }}
+* {{cite book | last = Norman | first = Charles | title = Poets on Poetry | publisher = Collier Books | location = New York | year = 1962}} Original texts from 8 English poets before the 20th Century and from 8 20th Century Americans.
+* {{cite book | last = Oliver | first = Mary | title = A Poetry Handbook | publisher = Harcourt Brace & Co | location = New York | year = 1994 | isbn = 0-15-672400-6 | url = https://archive.org/details/poetryhandbook00oliv }}
+* {{cite book | last = Oliver | first = Mary | title = Rules for the Dance | publisher = Houghton Mifflin | location = Boston | year = 1998 | isbn = 0-395-85086-X | url = https://archive.org/details/rulesfordancehan00oliv }}
+* {{cite book | last = Pinsky | first = Robert | title = The Sounds of Poetry | publisher = Farrar, Straus and Giroux | location = New York | year = 1999 | isbn = 0-374-52617-6 | url-access = registration | url = https://archive.org/details/soundsofpoetry00robe }}
+* {{cite book | last = Quinn | first = Arthur | title = Figures of Speech | publisher = Lawrence Erlbaum Associates | location = Hillsdale | year = 1993 | isbn = 1-880393-02-6 | url = https://archive.org/details/figuresofspeech61993quin }}
+* {{Cite book| ref=harv|last=Frow|first=John |title=Genre|year=2007 |publisher=Routledge |isbn=978-0-415-28063-1 |edition=Reprint|pages=57-59}}
+* {{Cite book| ref=harv|last=Grendler|first=Paul F|title=The Universities of the Italian Renaissance |publisher= Johns Hopkins University Press |year=2004 |isbn=978-0-8018-8055-1 |pages=239}}
+* {{Cite book| ref=harv| editor-last = Heath | editor-first = Malcolm |title=Aristotle's ''Poetics''|publisher=Penguin Books |year=1997|isbn=978-0-14-044636-4|pages=}}
+* {{Cite book| ref=harv| title=A history of literary criticism| url = https://archive.org/details/historyliteraryc00habi |last=Habib|first=Rafey|isbn=9780631232001|publisher=John Wiley & Sons|year=2005|pages=[https://archive.org/details/historyliteraryc00habi/page/n617 607]-609, 620}}
+* {{Cite book| ref=harv|last=Abondolo|first=Daniel|title=A poetics handbook: verbal art in the European tradition| url=https://archive.org/details/poeticshandbookv0000abon|year=2001|publisher=Curzon|isbn=9780700712236|pages=[https://archive.org/details/poeticshandbookv0000abon/page/52 52]-53}}
+* {{Cite book| ref=harv|first=Patricia|last=Ebrey|year=1993|title=Chinese Civilisation: A Sourcebook| url=https://archive.org/details/chinesecivilizat00patr|edition=2nd|publisher=The Free Press|isbn=978-0-02-908752-7|pages=[https://archive.org/details/chinesecivilizat00patr/page/11 11]-13}}
+* {{Cite book| ref=harv|last=Ahl|first=Frederick|last2=Roisman|first2=Hannah M.|title=The Odyssey Re-Formed|publisher=Cornell University Press|year=1996|isbn=978-0-8014-8335-6|pages=1-26}}
+* {{Cite book| ref=harv|last=Goody|first=Jack|title=The Interface Between the Written and the Oral| url=https://archive.org/details/interfacebetween00good|publisher=Cambridge University Press|year=1987|isbn=978-0-521-33794-6|pages=[https://archive.org/details/interfacebetween00good/page/98 98]}}
+* {{Cite book| ref=harv|last=Sanders|first=NK|title=The Epic of Gilgamesh|publisher=Penguin Books|edition=Revised|year=1972|pages=7-8}}
+* {{Cite book| ref=harv|pages=xxvii–xxxiii| editor-last = Schmidt | editor-first = Michael |title=The Harvill Book of Twentieth-Century Poetry in English| url=https://archive.org/details/harvillbookoftwe0000unse| publisher = Harvill Press|year=1999|isbn=978-1-86046-735-6}}
+* {{Cite book| ref=harv|last=Eliot| first = T. S.| chapter = The Function of Criticism|title=Selected Essays|isbn=978-0-15-180387-3| publisher = Faber & Faber|year=1999|pages=13-34}}
+* {{Cite book| ref=harv|last=Longenbach| first = James|title=Modern Poetry After Modernism| url=https://archive.org/details/modernpoetryafte00long| publisher = Oxford University Press|isbn=978-0-19-510178-2|year=1997|pages=[https://archive.org/details/modernpoetryafte00long/page/n21 9],103}}
+* {{Cite book| ref=harv|last=Strachan| first = John R.|last2=Terry|first2=Richard G.|isbn=978-0-8147-9797-6|title=Poetry: an introduction| publisher = Edinburgh University Press|year=2000|pages=119}}
+* {{Cite book| ref=harv|title=The Renaissance in Rome | last=Stinger| first = C| publisher=Indiana Bloomington Press | location=Bloomington, IN |year=1998| origyear=1985 (hardback) | url=https://books.google.com/books?id=-uQYq9uMoOsC&pg=PA199&dq=Parnassus+Raphael+Vatican+Segnatura+Apollo&hl=en&ei=yauATbaZFYf6sAOo7dGRBg&sa=X&oi=book_result&ct=result&resnum=6&sqi=2&ved=0CEsQ6AEwBQ#v=onepage&q=Parnassus%20Raphael%20Vatican%20Segnatura%20Apollo&f=false |isbn=978-0-253-33491-6|pages=}}
+* {{Cite book| ref=harv|title=Art in Renaissance Italy  | first=J | last=Paoletti| first2=G | last2=Radke| publisher=Laurence King Publishing | location=London |year=2005| origyear=1997 | url=https://books.google.com/books?id=EFhVehAvVyUC&pg=PA409&dq=Parnassus+Raphael+Vatican+Segnatura+Apollo&hl=en&ei=56aATbfBK4assAOIt5iNBg&sa=X&oi=book_result&ct=result&resnum=1&sqi=2&ved=0CC0Q6AEwAA#v=onepage&q=Parnassus%20Raphael%20Vatican%20Segnatura%20Apollo&f=false |isbn=978-1-85669-439-1|pages=}}
+* {{Cite book| ref=harv| last=Adams| first = Stephen J.|title=Poetic designs: an introduction to meters, verse forms and figures of speech| url=https://archive.org/details/poeticdesigns00step|year=1997| publisher = Broadview|isbn=978-1-55111-129-2}}
+* {{Cite book| ref=harv|last=Brooks| first = Cleanth|authorlink= Cleanth Brooks|title=The Well Wrought Urn: Studies in the Structure of Poetry| url=https://archive.org/details/wellwroughturnst0000broo| publisher = Harcourt Brace & Company|year=1947}}
+* {{Cite book| ref=harv|last=Corn| first = Alfred|title=The Poem's Heartbeat: A Manual of Prosody| url=https://archive.org/details/poemsheartbeatma00corn| publisher = Storyline Press|year=1997|isbn=978-1-885266-40-8}}
+* {{Cite book| ref=harv|last=Fussell| first = Paul|authorlink= Paul Fussell|title=Poetic Meter and Poetic Form| url=https://archive.org/details/poeticmeterpoeti00fuss| publisher = Random House|year=1965}}
+* {{Cite book| ref=harv|last=Finch| first = Annie|title=A Poet's Ear: A Handbook of Meter and Form| publisher = University of Michigan Press|year=2011|isbn=978-0-472-05066-6}}
+* {{Cite book| ref=harv|last=Fry| first = Stephen|authorlink= Stephen Fry|title=[[The Ode Less Travelled: Unlocking the Poet Within]]| publisher = Arrow Books|year=2007|isbn=978-0-09-950934-9}}
+* {{Cite book| ref=harv|last=Hollander| first = John|authorlink= John Hollander|title=Rhyme's Reason| url=https://archive.org/details/rhymesreasonguid00holl_1| publisher = Yale University Press|year=1981|isbn=978-0-300-02740-2}}
+* {{Cite book| ref=harv| last=Pound| first = Ezra|authorlink= Ezra Pound|title=ABC of Reading| publisher = Faber|year=1951}}
+* {{Cite book| ref=harv| editor-last = Preminger | editor-first = Alex | editor2 = Brogan, Terry VF | editor-last3 = Warnke | editor-first3 = Frank J. |title=The New Princeton Encyclopedia of Poetry and Poetics| edition = 3rd| publisher = Princeton University Press|isbn=978-0-691-02123-2}}
+* [[Władysław Tatarkiewicz|Tatarkiewicz, Władysław]], "The Concept of Poetry", translated by [[Christopher Kasparek]], ''Dialectics and Humanism: The Polish Philosophical Quarterly'', vol. II, no. 2 (spring 1975), published in Warsaw under the auspices of the [[Polish Academy of Sciences]] by [[Polish Scientific Publishers]]. pp. 13–24.
+* Isobel Armstrong, Joseph Bristow, and Cath Sharrock (1996) [https://www.amazon.com/Nineteenth-Century-Women-Poets-Oxford-Anthology/dp/0198112904 Nineteenth-Century Women Poets. An Oxford Anthology]
+* {{Cite book| ref=harv| editor-last = Ferguson | editor-first = Margaret | editor2 = Salter, Mary Jo | editor-last3 = Stallworthy | editor-first3 = Jon |title=[[The Norton Anthology of Poetry]]| publisher = W. W. Norton & Co| edition = 4th|year=1996|isbn=978-0-393-96820-0}}
+* {{Cite book| ref=harv| editor-last = Gardner | editor-first = Helen |title=[[New Oxford Book of English Verse 1250–1950]]| publisher = Oxford University Press|year=1972|isbn=978-0-19-812136-7}}
+* {{Cite book| ref=harv| editor-last = Larkin | editor-first = Philip |title=[[The Oxford Book of Twentieth Century English Verse]]| publisher = Oxford University Press|year=1973}}
+* {{Cite book| ref=harv| editor-last = Lonsdale | editor-first = Roger |title=[[Eighteenth Century Women Poets by Roger Lonsdale]]| publisher = Oxford University Press|year=1990}}
+* {{Cite book| ref=harv| editor-last = Mosley | editor-first = Ivo |title=[[The Green Book of Poetry]]| publisher = Frontier Publishing|year=1994|isbn=978-1872914060}}
+* {{Cite book| ref=harv| editor-last = Mosley | editor-first = Ivo |title=[[Earth Poems: Poems from Around the World to Honor The Earth]]| publisher = Harpercollins|year=1996|isbn=978-0062512833}}
+* {{Cite book| ref=harv| editor-last = Ricks | editor-first = Christopher |title=[[The Oxford Book of English Verse]]| publisher = Oxford University Press|year=1999|isbn=978-0-19-214182-8}}
+* {{Cite book| ref=harv| editor-last = Yeats | editor-first = WB |title=[[Oxford Book of Modern Verse 1892–1935]]| publisher = Oxford University Press|year=1936}}
+* {{Cite book| ref=harv| last=Ciardi | first = John |title=How Does a Poem Mean? | publisher = The Riverside Press| location = Cambridge, MA |year=1959 }}
+* {{Cite book| ref=harv| last=Drew | first = Elizabeth |title=Discovering Poetry | url=https://archive.org/details/in.ernet.dli.2015.506382| publisher = W.W. Norton & Company| location = New York |year=1933 }}
+* {{cite news|last=Hashmi | first = Alamgir |title=Eponymous Écriture and the Poetics of Reading a Transnational Epic | publisher = ''Dublin Quarterly'', 15 |year=2011 }}
+* {{Cite book| ref=harv|last=Bloom|first=Harold|year=2006|title = Bloom's Modern Critical Views: Contemporary Poets |publisher= Bloom's Literary Criticism, Infobase Publishing }}
+* {{Cite book| ref=harv|last=Iturat| first = Isidro | title = Poetics | url = http://www.indrisos.com/ensayosyarticulos/poeticsisidroiturat.htm | publisher = Indrisos.com | location = Brazil |year=2010 | accessdate=16. 11. 2018 | archive-url = https://web.archive.org/web/20141107111441/http://www.indrisos.com/ensayosyarticulos/poeticsisidroiturat.htm# | archive-date=07. 11. 2014 |url-status=dead | df = }}
+* Belfiore, Elizabeth, S., ''Tragic Pleasures: Aristotle on Plot and Emotion''. Princeton, N.J.: Princeton UP (1992). {{ISBN|0-691-06899-2}}
+* Bremer, J.M., ''Hamartia: Tragic Error in the Poetics of Aristotle and the Greek Tragedy'', Amsterdam 1969
+* Butcher, Samuel H., ''Aristotle's Theory of Poetry and Fine Art'', New York <sup>4</sup>1911
+* Carroll, M., ''Aristotle's Poetics, c. xxv, Ιn the Light of the Homeric Scholia'', Baltimore 1895
+* Cave, Terence, ''Recognitions. A Study in Poetics'', Oxford 1988
+* Carlson, Marvin, ''Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present''. Expanded ed. Ithaca and London: Cornell UP (1993). {{ISBN|978-0-8014-8154-3}}.
+*Destrée, Pierre, "Aristotle on the Power of Music in Tragedy," Greek & Roman Musical Studies, Vol. 4, Issue 2, 2016
+* Dukore, Bernard F., ''Dramatic Theory and Criticism: Greeks to Grotowski''. Florence, KY: Heinle & Heinle (1974). {{ISBN|0-03-091152-4}}
+* Downing, E., "oἷον ψυχή: Αn Εssay on Aristotle's muthos", ''Classical Antiquity'' 3 (1984) 164-78
+* Else, Gerald F., ''Plato and Aristotle on Poetry'', Chapel Hill/London 1986
+* {{cite journal | last=Fendt | first=Gene | title=Aristotle on Dramatic Musical Composition. By Gregory Scott (Review) | journal=Ancient Philosophy | publisher=Philosophy Documentation Center | volume=39 | issue=1 | year=2019 | issn=0740-2007 | doi=10.5840/ancientphil201939117 | pages=248–252| s2cid=171990673 }}
+* {{Cite journal | last = Heath | first = Malcolm | title = Aristotelian Comedy | journal = Classical Quarterly | volume = 39 | issue = 1989 | pages = 344–354 | doi = 10.1017/S0009838800037411 | url = http://eprints.whiterose.ac.uk/522/ | year = 1989 }}
+* {{Cite journal | last = Heath | first = Malcolm | title = The Universality of Poetry in Aristotle's Poetics | journal = Classical Quarterly | volume = 41 | issue = 1991 | pages = 389–402 | doi = 10.1017/S0009838800004559 | url = http://eprints.whiterose.ac.uk/523/ | year = 1991 }}
+* {{Cite journal | last = Heath | first = Malcolm | title = Cognition in Aristotle's Poetics | journal = Mnemosyne | volume = 62 | issue = 2009 | pages = 51–75 | doi =  10.1163/156852508X252876  | url = http://eprints.whiterose.ac.uk/43154/ | year = 2009 }}
+* Halliwell, Stephen, ''Aristotle's Poetics'', Chapel Hill 1986.
+* Halliwell, Stephen, ''The Aesthetics of Mimesis. Ancient Texts and Modern Problems'', Princeton/Oxford 2002.
+* Hardison, O. B., Jr., "Averroes", in ''Medieval Literary Criticism: Translations and Interpretations''. New York: Ungar (1987), 81–88.
+* Hiltunen, Ari, ''Aristotle in Hollywood''. Intellect (2001). {{ISBN|1-84150-060-7}}.
+* Ηöffe, O. (ed.), ''Aristoteles: Poetik'', (Klassiker auslegen, Band 38) Berlin 2009
+* Janko, R., ''Aristotle on Comedy'', London 1984
+* Jones, John, ''On Aristotle and Greek Tragedy'', London 1971
+* Lanza, D. (ed.), ''La poetica di Aristotele e la sua storia'', Pisa 2002
+* Leonhardt, J., ''Phalloslied und Dithyrambos. Aristoteles über den Ursprung des griechischen Dramas''. Heidelberg 1991
+* Lienhard, K., ''Entstehung und Geschichte von Aristoteles 'Poetik''', Zürich 1950
+* Lord, C., "Aristotle's History of Poetry", Transactions and Proceedings of the American Philological Association 104 (1974) 195–228
+* [[F. L. Lucas|Lucas, F. L.]], ''Tragedy: Serious Drama in Relation to Aristotle's "Poetics"''. London: Hogarth (1957). New York: Collier. {{ISBN|0-389-20141-3}}. London: Chatto. {{ISBN|0-7011-1635-8}}
+* Luserke, M. (ed.), ''Die aristotelische Katharsis. Dokumente ihrer Deutung im 19. und 20. Jahrhundert'', Hildesheim/Zürich/N. York 1991
+* Morpurgo- Tagliabue, G., ''Linguistica e stilistica di Aristotele'', Rome 1967
+* Rorty, Amélie Oksenberg (ed.), ''Essays on Aristotle's Poetics'', Princeton 1992
+* Schütrumpf, E., "Traditional Elements in the Concept of Hamartia in Aristotle's Poetics", ''Harvard Studies in Classical Philology'' 92 (1989) 137–56
+*Scott, Gregory L., ''Aristotle on Dramatic Musical Composition The Real Role of Literature, Catharsis, Music and Dance in the Poetics'' (2018), {{ISBN|978-0999704936}}
+* Sen, R. K., ''Mimesis'', Calcutta: Syamaprasad College, 2001
+* Sen, R. K., ''Aesthetic Enjoyment: Its Background in Philosophy and Medicine'', Calcutta: University of Calcutta, 1966
+* Sifakis, Gr. M., ''Aristotle on the Function of Tragic Poetry'', Heraklion 2001. {{ISBN|960-524-132-3}}
+* Söffing, W., ''Deskriptive und normative Bestimmungen in der Poetik des Aristoteles'', Amsterdam 1981
+* Sörbom, G., ''Mimesis and Art'', Uppsala 1966
+* Solmsen, F., "The Origins and Methods of Aristotle's Poetics", ''Classical Quarterly'' 29 (1935) 192–201
+* Tsitsiridis, S., "Mimesis and Understanding. An Interpretation of Aristotle's ''Poetics'' 4.1448<sup>b</sup>4-19", ''Classical Quarterly'' 55 (2005) 435–46
+* Vahlen, Johannes, ''Beiträge zu Aristoteles' Poetik'', Leipzig/Berlin 1914
+* Vöhler, M. – Seidensticker B. (edd.), ''Katharsiskonzeptionen vor Aristoteles: zum kulturellen Hintergrund des Tragödiensatzes'', Berlin 2007
+{{refend}}
+== Spoljašnje veze ==
+{{commons category}}
+* librivox.org [http://librivox.org/poetics-by-aristotle/ audio recording]
+* [http://www.gutenberg.org/files/1974/1974-h/1974-h.htm Project Gutenberg – ''Poetics'' (Aristotle)]
+* [https://www.perseus.tufts.edu/hopper/text.jsp?doc=Perseus%3Atext%3A1999.01.0056%3Asection%3D1447a ''Aristotle's Poetics'': Perseus Digital Library edition]
+* [https://web.archive.org/web/20110726052929/http://hodoi.fltr.ucl.ac.be/concordances/aristote_poetique/texte.htm Greek text] from Hodoi elektronikai
+* [https://books.google.com/books?id=tqYNAAAAIAAJ Critical edition] ([[Oxford Classical Texts]]) by [[Ingram Bywater]]
+* [http://nevmenandr.net/poetica/1447a8.php Seven parallel translations of ''Poetics'': Russian, English, French]
+* [http://www.iep.utm.edu/aris-poe/ Aristotle: ''Poetics''] entry by Joe Sachs in the [[Internet Encyclopedia of Philosophy]]
+* Notes of [[Friedrich Sylburg]] (1536-1596) in a critical edition (parallel Greek and Latin) [https://books.google.com/books?id=l2M-AAAAcAAJ available at Google Books]
+* Analysis and discussion in the [[BBC]]'s ''[http://www.bbc.co.uk/programmes/b00xw210 In Our Time]'' series on [[BBC Radio 4|Radio 4]].
+{{Authority control-lat}}
+{{portal bar-lat|Poezija}}
+[[Категорија:Поезија]]
+[[Категорија:Естетика]]
+[[Категорија:Књижевност]]