Пређи на садржај

Корисник:Olirk55/песак

Координате: 45° 15′ 21″ С; 19° 50′ 56″ И / 45.2557285° С; 19.8488063° И / 45.2557285; 19.8488063
С Википедије, слободне енциклопедије

Музични приклади

[уреди | уреди извор]

    Orchestral

  • Концерт для фагота з оркестром, сі-бемоль мажор, 1-а частина, Allegro
  • Концерт для фагота з оркестром, сі-бемоль мажор, 2-а частина, Andante ma adagio
  • Концерт для фагота з оркестром, сі-бемоль мажор 3-я частина
  • Симфонія №40, 1-а частина
  • Симфонія №40, 2-а частина
  • Симфонія №40, 3-я частина
  • Симфонія №40, 4-а частина
  • Увертюра до опери „Дон Жуан”
  • Маленька нічна серенада, 4-а частина
  • Sinfonia Concertante мі-бемоль мажор, 3-я частина (Presto)
  • Concerto in D for Flute
  • Концерт для кларнета з оркестром ля мажор, 1-а частина
  • Концерт для кларнета з оркестром ля мажор, 2-а частина
  • Концерт для кларнета з оркестром ля мажор, 3-я частина
  • Vocal
  • Der Hölle Rache, from Die Zauberflöte
  • Vesperae de dominica - dixit dominus
  • Vesperae de dominica - confitebor
  • Vesperae de dominica - beatus vir
  • Vesperae de dominica - laudate pueri
  • Vesperae de dominica - laudate dominum
  • Vesperae de dominica - magnificat
  • Piano
  • Piano Sonata No. 11 in A major, 3-я частина
  • Piano Sonata in C major, 1-а частина
  • Piano Sonata in C major, 2-а частина
  • Piano Sonata in C major, 3-я частина
  • Piano/Violin Sonata in B Flat (arranged for flute)
  • [[Датотека:|220px|noicon|alt=]]
    Концерт для фортепіано з оркестром №20 ре мажор, 1-а частина


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.listenlist ul { list-style: none; margin: 0; }

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.listenlist-filelink { padding: 2px 0; }

  • Симфонія №40, 3-я частина
  • .listenlist-file { padding-right: 4px; } .listenlist .description {

      Orchestral

    • Концерт для фагота з оркестром, сі-бемоль мажор, 1-а частина, Allegro
    • padding: 2px 0 0 0; }

        Orchestral

      • Концерт для фагота з оркестром, сі-бемоль мажор, 1-а частина, Allegro
      • Piano/Violin Sonata in B Flat (arranged for flute)
      • Приказ неких енхармонских тонова на клавијатури.


        Паузи








        [[Датотека:Punktirana pauza .jpg|270px|



        [[Датотека:Punktirana pauza .jpg|мини|145px|






        akrobatsk i tanci


        -------------------------------------------- ------------------------------------
        
        
\relative c' {
c1 d1 e1 f1 g1 a1 b1 c1 b1 a1 g1 f1 e1 d1 c1
}
\layout {
   \context {
     \Staff
     \remove Time_signature_engraver
     \remove Bar_engraver
    }
 } 
\midi {
  \tempo 1 = 120
}


        Parts_of_musical_note
        File:Parts of a note.svg
        ПРИКАЗ СХЕМИСхематски приклад:1.Дзелєнє цачей ноти2.Стварянє (творенє9менших нотних вредносцох 3..Медзисобне одношенє нотних вередносцох
        Схематски приклад:1.Дзелєнє цачей ноти2.Стварянє (творенє9менших нотних вредносцох3..Медзисобне одношенє нотних вередносцох


        Нотни вредносци и їх павзи


        ]]

           = ili        =
            ili   
           ili   


        cela nota



        Šematski prikaz:
        1. Deljenje cele note.
        2. Stvaranja manjih notnih vrednosti.
        3. Međusobni odnos notnih vrednosti.
        = cela nota = 1/1
        = polovina note = 1/2
        = četvrtina note = 1/4 = osmina note = 1/8
        = šesnaestina note = 1/16
        = tridesetdvojina note = 1/32
        Ґрупованє и скапчованє нотoх


        Vipatrunok noti  ?????????????


        Flat
        The flat symbol lowers the pitch of a note by one semitone.
        Sharp
        The sharp symbol raises the pitch of a note by one semitone.
        Natural
        A natural cancels a sharp or flat. This sharp or flat may have been indicated as an accidental or defined by the key signature.
        Double flat
        A double flat lowers the pitch of a note by two semitones.
        Double sharp
        A double sharp raises the pitch of a note by two semitones.



           = лєбо        =
            лєбо   
           лєбо   

                 

        Beamed notes
        Eighth notes (quavers) and shorter notes have flags to indicate their duration, but beams can be used instead of flags to connect groups of these notes. This is usually done to indicate a rhythmic grouping but can also be used to connect notes in ametrical passages. The number of beams is equivalent to the number of flags on the note value—eighth notes are beamed together with a single beam, sixteenth notes with two, and so on. In older printings of vocal music, the use of beams is sometimes reserved for notes that are sung on one syllable of text (melisma). Modern notation of vocal music encourages the use of beaming in a consistent manner with instrumental engraving, however. In non-traditional meters, beaming is at the discretion of composers and arrangers and can be used to emphasize a rhythmic pattern.
        Dotted note
        Placing a dot to the right of a notehead lengthens the note's duration by one-half. Additional dots lengthen the previous dot instead of the original note, thus a note with one dot is one and one half its original value, a note with two dots is one and three quarters—use of more than two dots is rare. Rests can be dotted in the same manner as notes.
        Ghost note
        A ghost note has a rhythmic value but no discernible pitch. It is represented by a (saltire) cross (similar to the letter x) notehead instead of an oval. It is primarily used to represent percussive pitches or spoken words.
        Multi-measure rest
        The multi-measure rest is a compact way to indicate multiple measures of rest. It is also called gathered rest or multi-bar rest.

           

             

           = лєбо        =

            лєбо   
           лєбо   


          Orchestral

        • Piano/Violin Sonata in B Flat (arranged for flute)
        • [[Датотека:|220px|noicon|alt=]]
          Концерт для фортепіано з оркестром №20 ре мажор, 1-а частина


        Академија уметности Универзитета у Новом Саду
        Зграда на Петроварадину
        Типдржавна
        Оснивање22. април 1974.; пре 50 година (1974-04-22)
        АфилијацијаУниверзитет у Новом Саду
        ДеканСиниша Бокан
        ЛокацијаНови Сад, Србија
        45° 15′ 21″ С; 19° 50′ 56″ И / 45.2557285° С; 19.8488063° И / 45.2557285; 19.8488063
        ЧасописЗборник радова
        Веб-сајтakademija.uns.ac.rs


        АКАДЕМИЈА УМЕТНОСТИ

        Академия уметносци то високошколска установа Универзитета у Новим Садзе и єдина образовна установа наменєна сучасному уметнїцкому- творительному образованю у Войводини.(1) Общи информациї Иснує - дїлує у составе Универзитета у Новом Садзе, орґанизацийно подзелєна є до трох департманох: • Департман музичней уметносци, • Департман подобовей уметносци, • Департман драмскей уметносци. На шицких трох департманох реализує ше 26 студийни програми основних академских студийох, 27 студийски програми мастерских студийох и єдан студийски програм интеґрисаних студийох.

        Можлїви положеня педалох
        Можлїви положеня педалох


        Димензиї цимбали
        у цм. дзецински

        цимбал

        мали

        цимбал

        вельки

        цимбал

        сподня основна часц
        40
        80-100
        140
        верхня основна часц
        30
        60-80
        95
        ширина
        26
        50-70
        74
        висина
        2-5
        7-10
        15
        kjhgl

        nn,b,


        Сопран (С)Datei:Stimmlage_Bariton.svg 200170 alt (A)</nowiki>|200x200п]]

        Датотека:Stimmlage Mezzosopran.svg200x170px

        ТОНСКИ ОБСЯГ ХОРСКИХ ГЛАСОХ
        Женски гласи Хлопски гласи
        Сопрен (С)
        Тенор (Т)
        Мецосопран
        Баритон
        Алт (А)
        Бас (Б)


        ТОНСКИ ОБСЯГ ХОРСКИХ ГЛАСОХ
        Женски гласи Хлопски гласи
        Сопран (С)
        Тенор (Т)
        Мецосопран
        Баритон
        Алт (А)
        Бас (Б)


         {
\new PianoStaff << 
 \new Staff = "chords" << \magnifyStaff #3/4
  \new Voice \relative c' { 
   \set Staff.midiInstrument = #"harpsichord" \key g \minor
   \mark \markup { \abs-fontsize #10 { \bold { Passacaille } } }
   <bes' d>8. <c ees>16 <a c>8. <bes d>16 <c ees>8. <c ees>16 <bes d>8. <c ees>16 |
   <a c>8. <a f'>16 <g ees'>8. <a f'>16 <bes d>8. <bes d>16 <a c>8. <bes d>16 |
   <g bes>8. <a c>16 <fis a>8. <g bes>16 <a c>8. <a c>16 <g bes>8. <a c>16 |
   <fis a>8. <fis d'>16 <e c'>8. <fis d'>16 bes8 a g4 \bar "||"
} 
  \new Voice \relative c' { 
   s1 s s s2 \stemDown g'2
} 
 \new Staff \relative c' { \magnifyStaff #3/4
   \set Staff.midiInstrument = #"harpsichord" \key g \minor \clef F
   <g bes d>2 <ees g c> <f a c> <bes, d f bes> <ees g bes> <c ees a> d4 d, g2
} 
 \addlyrics \with { alignAboveContext = "chords" } { \override LyricText.font-size = #-1.5 Gm Cm F B♭ E♭ \markup{\concat{Am\super{(♭5)}}} D _ Gm }
>> >> }
        Handel Passacaille from Suite in G minor bars 1–4


         
{ \new Staff \relative c' { 
   \set Staff.midiInstrument = #"cello" \clef F \time 12/8
   r r8 << {a( b c) | d,( e f) g( a b) | c,( d e) f( g a) | b,( c d) e( d) e | a, c e}
   \new Staff = "chords" \with {
      \omit TimeSignature
      \magnifyStaff #2/3
      firstClef = ##f
    } \relative c' 
 { \set Staff.midiInstrument = #"cello" \clef F
 {\hide Stem a8 s s d, s s g s s c, s s f s s b, s s e s s a, s s}}
\addlyrics \with { alignAboveContext = "chords" } { \override LyricText.font-size = #-1.5 Am \markup{\concat{Dm\super{7}}} \markup{\concat{G\super{7}}} \markup{\concat{C\super{maj7}}} \markup{\concat{F\super{maj7}}} \markup{\concat{B\super{7(♭5)}}} \markup{\concat{E\super{7}}} Am
   } >>
 s1 s8
} }
        Бах, Цантата ч.51 Примена квинтох и квартох


        Квинтни и квартни круг у музичней литератури
         {
\new PianoStaff << 
 \new Staff = "chords" << \magnifyStaff #3/4
  \new Voice \relative c' { 
   \set Staff.midiInstrument = #"harpsichord" \key g \minor
   \mark \markup { \abs-fontsize #10 { \bold { Passacaille } } }
   <bes' d>8. <c ees>16 <a c>8. <bes d>16 <c ees>8. <c ees>16 <bes d>8. <c ees>16 |
   <a c>8. <a f'>16 <g ees'>8. <a f'>16 <bes d>8. <bes d>16 <a c>8. <bes d>16 |
   <g bes>8. <a c>16 <fis a>8. <g bes>16 <a c>8. <a c>16 <g bes>8. <a c>16 |
   <fis a>8. <fis d'>16 <e c'>8. <fis d'>16 bes8 a g4 \bar "||"
} 
  \new Voice \relative c' { 
   s1 s s s2 \stemDown g'2
} 
 \new Staff \relative c' { \magnifyStaff #3/4
   \set Staff.midiInstrument = #"harpsichord" \key g \minor \clef F
   <g bes d>2 <ees g c> <f a c> <bes, d f bes> <ees g bes> <c ees a> d4 d, g2
} 
 \addlyrics \with { alignAboveContext = "chords" } { \override LyricText.font-size = #-1.5 Gm Cm F B♭ E♭ \markup{\concat{Am\super{(♭5)}}} D _ Gm }
>> >> }
        Handel Passacaille from Suite in G minor bars 1–4


         
{ \new Staff \relative c' { 
   \set Staff.midiInstrument = #"cello" \clef F \time 12/8
   r r8 << {a( b c) | d,( e f) g( a b) | c,( d e) f( g a) | b,( c d) e( d) e | a, c e}
   \new Staff = "chords" \with {
      \omit TimeSignature
      \magnifyStaff #2/3
      firstClef = ##f
    } \relative c' 
 { \set Staff.midiInstrument = #"cello" \clef F
 {\hide Stem a8 s s d, s s g s s c, s s f s s b, s s e s s a, s s}}
\addlyrics \with { alignAboveContext = "chords" } { \override LyricText.font-size = #-1.5 Am \markup{\concat{Dm\super{7}}} \markup{\concat{G\super{7}}} \markup{\concat{C\super{maj7}}} \markup{\concat{F\super{maj7}}} \markup{\concat{B\super{7(♭5)}}} \markup{\concat{E\super{7}}} Am
   } >>
 s1 s8
} }
        Бах, Цантата ч.51 Примена квинтох и квартох


        Бузуки
        Хорнобестел-Закс систем321.321
        Сродни инструменти

        Шаблон:Инфокутија нематериялне културне нашлїдство Тамбураше, као и тамбурашка пракса од 2021. року признати як часц нематериялного културного нашлїдства Републики Србиї. Ова пракса је део модерне традиције, али је и довољно дуго ту, да буде део културног нематеријалног наслеђа.[1]

        Rozmery cimbalov
        v cm detský malý veľký
        spodná

        základňa

        40 80-100

        File:Schnittke Concerto for Chorus.jpg

        Notna partitura


        Основни дияпазони гласох
        Женски гласи
        Сопран
        Мецосопран
        Алт
        Хлопски гласи
        Тенор
        Баритон
        Бас
        Claude Debussy's Première arabesque. The chords on the lower stave are constructed from the notes in the actual piece, shown in the upper stave.
        
{
#(set-global-staff-size 16)
      <<
        \new Staff <<
            \relative c' {
                \clef treble \time 4/4 \key e \major
                \tuplet 3/2 { cis8 e a } \tuplet 3/2 { cis e fis } \tuplet 3/2 {gis dis b } \tuplet 3/2 { gis dis b } \tuplet 3/2 { a cis fis } \tuplet 3/2 { a cis dis } \tuplet 3/2 { e b gis } \tuplet 3/2 { e b gis }
                }
            >>
        \new Staff <<
           \relative c' {
                \clef treble \time 4/4 \key e \major
                \tempo "Andantino con moto"
                <cis e a>2 <b dis gis> <a cis fis> <gis b e>
                }
            >>
    >> }
        Claude Debussy's Première arabesque. The chords on the lower stave are constructed from the notes in the actual piece, shown in the upper stave.
        Марија Моснак
        Марија Моснак
        Рођена 25. фебруара 1946.
        Умрла 30 маja 2022. (76. година)
        Држављанство југословенско, српско
        Матерњи језик русински
        Школа Гимназија, Врбас
        Период радне активности 1967—2001.
        Послови спикерка, преводилац, новинарка
        Сахрањена Градско гробље у Новом Саду



        Шаблон:Class="wikitable" align=right width=300px


        Шаблон:AfC submission

        Marija Mosnak
        аlt=Маrija Моsnak
        Born on February 25, 1946.
        Died May 30, 2022 (age 76)
        Citizenship Yugoslav, Serbian
        Mother tongue Rusyn
        High School Vrbas
        Period of work activity 1967—2001
        Jobs announcer, translator, journalist
        Buried in the City Cemetery in Novi Sad


        Marija Mosnak

        Born on February 25, 1946.


        Died May 30, 2022 (age 76)

        Citizenship Yugoslav, Serbian  

        Mother tongue Rusyn


        High School Vrbas


        Period of work activity 1967—2001


        Jobs announcer, translator, journalist


        Buried in the City Cemetery in Novi Sad

        Marija Vadaski Mosnak (February 26, 1946, Kucura—† May 30, 2022, Veternik) is the first professional announcer in the Rusyn editorial office of Radio Novi Sad and on the TV Novi Sad

        Maria Mosnak, born Vadaski was born in Kucura on February 26, 1946. She finished elementary school in her hometown and high school in Vrbas. After finishing high school, she enrolled in studies at the Higher Administrative School in Novi Sad.  

        She started working in the Rusyn editorial office of Radio Novi Sad on May 15, 1967. She spent her entire working life in front of the microphones at Radio Novi Sad as the first professional radio announcer in the editorial office of Radio Novi Sad's Rusyn program.  

        In the period when TV Novi Sad began to broadcast programs in several languages, Marija Mosnak was also the first television announcer in TV Novi Sad's Rusyn programs.

        During the 1970s, Marija Mosnak also appeared in the role of host of the Rusyn Red Rose Festival of Culture, and she also led a conference on contact programs organized by the Rusyn editorial office of Radio Novi Sad in the villages where Rusyns live.

        In 1973, Marija Vadaski married Andrija Mosnak and had two sons with him.  

        In addition to her work as an announcer, Marija Mosnak also worked as a translator for the Rusyn program of Radio Novi Sad, and at the height of her career, she also worked as a journalist because she edited the informative part of the morning program in the Rusyn language as well as the evening news show in the Rusyn language.

        She is remembered as an announcer with a distinctly beautiful and pleasant velvety voice, as well as for the maximum dedication to her work, which she performed in an impeccable professional manner and with special love. As an experienced announcer, she helped to form a whole generation of announcers in the Rusyn language who followed her example and professionalism in their work.

        She retired on February28, 2001.

        Marija Mosnak died in Veternik near Novi Sad on May 30, 2022 at the age of 76, and was buried at the City Cemetery in Novi Sad.[2]


        ==

        1. ^ „Тамбураши”. www.nkns.rs. Приступљено 03. 02. 2022. 
        2. ^ Spikerka Radio Novog Sada Marija Mosnak preminula u Veterniku Radio-Televizija Vojvodine, rtv.rs, 08. jun 2022.


        Ґрупованє и скапчованє нотх

        Часци ноти

        YB0102 Notes et silences.png